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One is not struck by the truth until prompted quite accidentally by some external event.
Maybe all of us at Hailsam had little secrets like that -- little private nooks created out of thin air where we could go off alone without fears and longing.
It was like being given a maths problem when your brain's exhausted, and you know there's some far-off solution, but you can't work up the energy even to give it a go. Something in me just gave up.
I grew up in Britain before it became a multicultural place, so in many ways I have a nostalgia for an England that's vanished - the England of my childhood has actually disappeared.
The book was at a reasonably high position on the New York Times... before I was in the country. I thought it would be an interesting experiment to see if my presence here would push it up or down.
What I wished more than anything was that the thing hadn't happened at all, and I thought that by not mentioning it I'd be doing everyone else a favor.
There's a practical problem about time and energy, and a more subtle problem of what it does to a writer's head, to continually analyze why they write, where it all comes from, where it's going to.
I find Japanese books quite baffling when I read them in translation. It's only with Haruki Murakami that I find Japanse fiction that I can understand and relate to. He's a very international writer.
I felt slightly superior to student politics, for instance. I had no reason to think this, but I thought of myself as slightly more seasoned. I became quite cynical talking to my student friends.
I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel you can get right inside somebody's head.
Where once we fought for land and God, we now fought to avenge fallen comrades, themselves slaughtered in vengeance. Where could it end? Babes growing to men knowing only days of war.
The truth is, Japan is headed for crisis. We are in the hands of greedy businessmen and weak politicians. Such people will see to it poverty grows every day.
when we were eleven, say, we really weren't interested in each other's poems at all. . . . But we didn't know a thing about poetry. We didn't care about it.
How so much honourable is such a contest, in which one's moral conduct and achievement are brought as witnesses rather than the size of one's purse.#Page: 10