Keanu Reeves Quotes

I hope I get the bliss. And I know I'm going to have to work for it. But I've got to say, really, I have no kind of, can I say "secular religiosity"? ... I don't have a denominational sight.

I do think there must be some kind of interaction between your living life and the life that goes on from here.

On a good night, I get underwear, bras, and hotel-room keys thrown onstage... You start to think that you're Tom Jones.

Basically it starts with four months of training, just basic stretching, kicking and punching. Then you come to the choreography and getting ready to put the dance together.

Anything where there's great enthusiasm, and a place to come share what you think is cool.

I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.

I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.

But I did 'Bill & Ted's Excellent Adventure.' They made a cereal out of it, so once you've had a cereal, it doesn't get much more surreal than that. Surreal cereal.

Mortality is very different when you're 20 to when you're 50.

I was hopeless at high school - I failed everything but Latin.

But, you know, it's still a drag to get your picture taken when you're eating a sandwich. It's a downer.

It's hard to act in the morning. The muse isn't even awake.

I attempt to connect with my muse and go on demon rides.

So many people have that relationship. The companionship. The connection. To our - to other beings, our pets. I hate to call them pets. But you know, to other creatures that we share our lives with.

I wish I could say something classy and inspirational, but that just wouldn't be our style. ... Pain heals. Chicks dig scars. Glory... lasts forever.

Grief changes shape, but it never ends. People have a misconception that you can deal with it and say, 'It's gone, and I'm better.' They're wrong.

Here comes 40. I'm feeling my age and I've ordered the Ferrari. I'm going to get the whole mid-life crisis package.

I mean, I went to a Catholic boys school for a year, but that was to play hockey. Religion class was quite contentious for me.

It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.

And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.

The acting experience and the collaborating and creating the world, working on the piece, they're the same joys.

Hallelujah! Amen! Christianity is so inherent in western story-telling, you can't really get around it. But it wasn't something that drew me to it more or less.

When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.

I've been pleased to work with so many wonderful stars through the years. This has been an amazing journey. I hope it continues.

Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.

I try not to think about my life. I have no life. I need therapy.

Environmental issues are on everyone's mind. It's part of our culture now and I can only applaud and laud anyone who is doing what they can and raising awareness.

When I don't feel free and can't do what I want I just react. I go against it.

I used to have nightmares that they would put 'He played Ted' on my tombstone.

How do people relate to movies now, when they're on portable devices or streaming them? It's not as much about going to the movies. That experience has changed.

Abstract expression is so solid, so successful and recognizable, but there's a mystery about the artists that goes into it, a fetishism about the artists themselves and who they were.

I think - I don't know, maybe it's nostalgia. But the choice, losing the choice to be able to use film is going to be - it's gone. It's going to be gone.

I have a producing partner named Stephen Hamel, and we've been trying to generate material.

I was always interested - I mean, it's kind of part of your job - I was always interested in the camera.

The serialization through the Internet or through digital portals, means of ways of communicating, and I think that's great.

Our saving grace! Um, as a species [humans] we can be pretty warm and fuzzy. But maybe for this, it's the adaptability, or the heart and soul. We're not all that bad. I don't really know!

I just felt that if I went into Speed 2, I just... wouldn't have come up out of the water.

You know what, I'd done an interview show when I was like 16 or 17. One of my first jobs. I did interviews for this television show in Toronto.

Artists are losing the choice to use film. People have a love for it - the grain, how it feels, the texture.

I guess I'm not really involving my imagination to that of a circumstance or happening - I'm just kind of acknowledging it as an existence.

I like writing songs. I like the camarderie of the and. I like touring. I love playing bass. And then there's free beer.

I mean, if you didn't get it or if you didn't feel like you enjoyed it, sometimes that experience can change.

I mean, I went to a Catholic boys' school for a year, but that was to play hockey. Religion class was quite contentious for me.