Kim Hyesoon Quotes

The rhythm of my body is the same as my mother tongue. It is in this rhythm where I find sanctity, that I can return to my mother who is everywhere in the universe.

Men think women should do trivial things on the margins. They think women should be merely a seasoning for a dish. I feel anger and sorrow seeing this.

Our mothers who have gone are buried in our bodies. It can be said that we were born with dead mothers in our body.

Mother does not exist, like water that has given life to a flower and then disappeared. Mothers live somewhere after giving birth to us.

I have to reach "the poetry condition" to write. Then it is as if the border around me is thinned or blurred or erased or disappeared or dead.

Women who have been disappeared by violence are howling. The voices of disappeared women are echoing. I sing with these voices.

Women are foils to men. It is hard for women to take a lead role even in NGOs for political resistance.

Mother is a synonym for abandonment and death. Comparing this synonym to water, it is like poured-out water. I call it mother, the identity that I cannot identify.

In poetry, rhythm is a priority above everything else.

As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.

When I was at university, the policemen used to measure how short the women's mini-skirts were and how long guys' hair was. We were living under a government that considers people to be soldiers.

When I first started to write poetry, I used to feel as if my tongue would go numb.

Women in Korean myths disappear after giving birth. The reason they were born is to produce sons.

Speaking as an outsider is the most authentic voice for a poet. Poets who have one hundred thousand or one million readers [as many South Korean poets do] might not be a real, authentic poet.

The grotesque in my poems is the motion I use to put myself and the grotesque world together. So the miserable images I use in my poems are the same as the letters I send into the miserable world.

In my opinion, poets talk through the symptoms of disease. These symptoms of disease are predictions, screams, and songs.

The body of poetry is nothing but energy, waves, rhythm.

There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.

Living in Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in now.

If someone asks, Is anyone alive? Break, your, head, open, and, show, your, ten, ta, cle.

It seems Korean women are enjoying a passive and fragile status, intoxicated by appearance. Not only feminism, but any serious discourse ends up being swept away by popular culture in Korea.

Korean feminism has been swept away by popular culture. It became a sort of old-fashioned trend or a joke.

My mom does not exist anymore, and I cannot see my mother in myself. To me, the word "mother" is the synonym for the words "parting" or "separation" or "farewell."

The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.

I am a tomb robber who is robbing my own tomb. Things from my tomb are exhibited under the radiant sun. Every time it happens I feel crude.

When anger and sorrow overflow, sometimes it becomes poetry.

Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.

I came to grotesque language in the patriarchal culture under the dictatorship. The body that was broken into pieces is a sick body. I put the disease of this world and my sick body together.

If you propose there is a feminism problem in Korea, somebody would point out that you are bringing up antiquated issues. No one acknowledges that discrimination against women is still widespread.

Living in South Korea as a girl meant living under a lot of discrimination and limitation. It was the same in my university and in the Korean literary world I am involved in.