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For years and years I have done the work I was born for.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
It takes courage to get clear about what your vision of the work is and to be persistent about it and pursue it, whatever you're saying. I'm still in a long learning process.
People need what they think of as a poem to be read at their bar mitzvah, their wedding, a funeral, whatever. And people are looking for hope and inspiration. I understand that.
I'm trying to stay open to the idea that the Internet is not the evil foe of publishing but the handmaiden that will turn out to be a blessing for poets and writers.
There are some books in which every poem is a facet of the same thing. So the book is like a piece of music. And there are books of poems that I love so much that I carry them around with me.
My books have come many years apart and each one seems to reflect a period of experience. Ending the book is like putting a period on a certain movement. Interior and external - both.
I worked in an art gallery for a few years, doing administrative assistance stuff, and it exposed me to what the whole world of art dealers and the art market was about.
I think parenting actually makes you lose pieces of your soul again, because they go off, into your children. Or, I mean, I am so fragmented, and I'm such a spacey person.
Poetry is an affair of sanity, of seeing things as they are, to recreate the familiar, eternalizing the poet's own perception in unique and original verbal form.
It is fatal to decide, intellectually, what good poetry is because you are then in honour bound to try to write it, instead of the poems that only you can write.
A writer once said to me, If you ever go to America, go either to the East Coast or the West Coast: The rest is a desert full of bigots. That's what I think I'd like . . . a version of pastoral.
And immediately Rather than words comes the thought of high windows: The sun-comprehending glass, And beyond it, the deep blue air, that shows Nothing, and is nowhere, and is endless.
Life is first boredom, then fear. Whether or not we use it, it goes, And leaves what something hidden from us chose, And age, and then the only end of age.
Many famous feet have trod Sublunary paths, and famous hands have weighed The strength they have against the strength they need; And famous lips interrogated God Concerning franchise in eternity.