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As a person, I do ascribe to a lot of magical thinking myself.
While writing, writers are living inside a character or characters, and when the book ekes into the world, writers are living inside the reader. That's more than connecting.
Who, in the midst of passion, is vigilant against illness? Who listens to the reports of recently decimated populations in Spain, India, Bora Bora, when new lips, tongues and poems fill the world?
Depressing thought: my friends were the girls I ate lunch with, all buddies from kindergarten who knew one another so well we weren't sure if we even liked one another anymore.
The gender inequality in book reviewing isn't getting better. Male authors get the majority of review coverage, and male reviewers do most of the reviewing. It's kind of devastating.
It's not easy to make friends when you're an adult writer outside of academia, especially when you work alone in a little room for twelve hours a day, and so I wrote toward what I most longed for.
It seems to me that if you were to take almost any half-century in history, you'd find a grand societal tug-of-war between the community and the individual.
Song: Heloise and Abelard by Elizabeth Devlin. Beyond the a propros subject matter, this lady can really play the Autoharp. This song sounds like something you'd find on a gramophone record.
I won't walk under scaffolding or under ladders. I wear things like a baseball player wears things that are supposed to have luck. I am superstitious about everything.
I've always relied on producing more material than I need. With each of my published novels I've written around four times the amount of material that's ended up in the book.
I want to be identified as a writer, not a Southern writer, not a woman writer, not a woman from this or that place, but unfortunately it doesn't always happen.
If you look at communal experiments in general for any amount of time, you'll find a lot of horrors: raped children, sexual slavery, eugenics experiments, on and on.
You had to pick up a landline to make sure your best friend wore a matching outfit to school. I do remember people talking more. Nostalgia is dangerous, though.
In terms of writing, I think what most fiction writers treasure more than anything is the feeling that they're living for the length of a book inside another person.
It's wonderful that nothing you write is ever going to be as beautiful as what's in your head, because that gap is where the art can enter and begin to stretch its limbs.
I have a feeling that books are a lot like people - they change as you age, so that some books that you hated in high school will strike you with the force of a revelation when you're older.
A lot of my work comes from a place of despair or fear. I often write in order to gain some sort of control over aspects of my life or the world that seem too dark to look at directly.
I love Twitter. It's like having a closet full of clever friends that you can visit twice a day, then shove back into the darkness when you're tired of them.