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Just because someone isn't working at an office doesn't mean they're not working hard at something.
I think you have to have a little bit of a screw loose to think that you can [become an actor] because the odds are so against you. I was just crazy enough to think I could do it.
People who have no idea it's me when they first see me playing something, and later they realize, 'That's her from whatever it is,' it's a great compliment that they can forget.
One thing I like about trying to write is that I can possibly write myself a role. Otherwise, you're at the mercy of whatever roles are out there that people are willing to give to you.
I think some of the most important things we read about other people occurs from being able to read their faces and their eyes and their body and those kinds of things.
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.
I always thought I was a little shy, especially compared to my brother and my sister, but I guess I was always the kid doing performances in the front room.
I have sort of the career where, if you are a fan, you've been following me for a while, and you really like something that I've done, so meeting those people is always a really gracious experience.
I love creating stories, dreaming up characters and breathing life into them. From several generations of Irish storytellers, I think that's what I was born to do.
The hardest part for me during the creation stage is actually putting words on paper that make sense and tell my story the way I see it. I sometimes feel I am slogging through quicksand when I write.
I think you get one great love in your life like that, if you're lucky enough, where you hold nothing back. And I'm not saying that's the healthiest way to love either.
I think that happens to a lot of people who find themselves thrust into the spotlight and becoming famous before they recognize what's happening to them. Life becomes a little distorted for them.
It's a disservice, really, when we put celebrated people on a pedestal and don't allow them to be human. It's a very lonely experience for the individual. It's not a sustainable way to live.
Putting people in a room and strapping wires to their wrist to find out if I make them tingle when I'm telling them about Beirut is a long way from Edward R. Murrow.
I know that sometimes the chemistry just isn't there between the model, photographer, hair and make-up. It's nobody's fault and you just have to do better next time.