M. Jackson Quotes

How does it feel when you're alone and you're cold inside

Tenderoni, you've got to be.

You know I'm bad, I'm bad. You know it.

I would like to understand my father.

Everyone's Taking Control Of Me Seems That The World's Got A Role For Me I'm So Confused Will You Show To Me You'll Be There For Me And Care Enough To Bear Me

I always hated the world "acting" - to say, "I'm an actor." It should be more like a believer.

When I was five I was touring, singing and dancing. Always gone, always out of school.

The system is broken, and we can fix it. It's not hard. We just have to do the work.

Everything starts and finishes with the soldier.

A lot of networks don't want to touch controversial subjects, and especially stuff that deals with race and history.

The Russians are a very sentimental people.

Soldiering is a very important profession, is it not?

Not much over £1,000 a month for the private soldier on operations is hardly an impressive figure.

Missing your lunch is not exactly the end of the world.

It is absolutely bedrock to the British Army's philosophy that a commanding officer is responsible for what goes on within his command.

If you move between battalions, you are still within the same tribe.

Technology's become the great prism for what's going on in the world.

You know, never say never.

I understand all the problems for the Ministry of Defence, of course I do; working within a budget and trying to do so many things is not easy.

Well, the U.N. Security Council resolution 1973 is very clear. It says all necessary measures to be taken to protect civilians and civilian areas. I mean, that to me is very clear.

Nations, not least America, retain full command of their national forces.

Intervention continues to be a prominent dimension of the post-cold war world.

I get inspired with passion, I think. I get inspired by people who are just passionate, and it doesn't matter what they do or what they're passionate about.

I do yoga and weights, mainly. I still box. I box once a week, but I don't get punched in the face anymore. I just hit the bags now. I'm done with that competitive side of it.

I want to make movies just like "King Kong." You know, dinosaurs, big gorillas - it's everything that a nine year-old boy would fall in love with.

There's something incredibly tragic about Kong. You feel almost feel ashamed to be a human being when you see what happens to him. I mean he is ultimately a pure-heart.

With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .

I didn't want my kids having to pass through an airport named after their father.

As human beings, we always have resistance against things that are different and there's always suspicion.

New Zealand is not used to wealth. In America wealth is kind of a thing of pride. Here it's the opposite. The more you've got, the bigger the target you are.

In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.

So many film makers are scared of visual effects - which is no crime.

Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.

The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.

I don't believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don't think any of that is really an issue with 3D.

People call Kong "a monster." He's not. There's nothing evil about Kong. He's just another creature who has opened up a little bit of his heart to Ann and it proves to be his undoing.

It's interesting how the frame rate actually changes the perception of the 3D as well as making it more comfortable to watch.

I adore physical miniatures and try to use them as much as I can and have a bit of a fetish about that.

I'm a Beatles fan, and I remember in the mid-1980s, when CDs first came out, there was a sound of vinyl and the sound of the needle on it that people loved, and suddenly CDs were threatening.

[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail.

Most directors prefer to direct everything themselves. I thought I could on Lord Of The Rings, but very quickly found out that the sheer scale prevented it.

I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.

I am a big Dragon fan. I've said it before- And I was fortunate enough to be born a Dragon in the Chinese Horocope.

To his ex-wife in court, he said I lost interest in you when the Botox lost its effect and you looked like a plastic doll that escaped from a fire.

Film is such a powerful medium. It's like a weapon and I think you have a duty to self-censor.

He who must search a haystack for a needle is likely to end up with the attitude that the needle is not worth the search.

I mean, I didn't have a huge upbringing with movies, I guess.

My job as a coach was to make something meaningful out of one of the most mundane activities on the planet: playing pro basketball.

Tomorrow gives a beck'ning hand-- I turn my face away; I'll not invite her to my home-- I only love Today.

Coaching is salesmanship. Coaching is winning players over and convincing them they have to play together. It takes a team conviction to play together to make things work.