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My mother is Irish, my father is black and Venezuelan, and me - I'm tan, I guess.
I definitely feel more complete than before. There's a void you have when you don't feel you've found the other part of who you are, so I'm in a different place now and that's nice to experience.
Standing alone,eager to just believe,it's good enough to be what you really are,but in your heart,uncertainty forever lies,and you'll always be,somewhere on the outside.
I can do a reddish-brown or brown lip, but not a bright red. I just don't look good in it. Over the years you learn certain things that don't look good on you, and that's one of them for me.
We've all been influenced by other people...If Minnie Riperton never existed, would I have even thought of singing in that (upper) register? I doubt it.
I started writing poetry when I was six. I had this teacher who didn't believe the poems I'd bring in were mine because they were dark and sad. But I wrote about what I experienced in my childhood.
I'm not for the villains, I'm only for the princesses. I mean it's fun to have Jafar [Aladdin cartoon villain] or whatever; I didn't even remember their names 'cause they're not important to me.
Suffered from alienation,carried the weight on my own,had to be so strong,so I believed,and now I know I've succeeded,in finding the place I conceived.
Sometimes it's tough because I've got to sleep 15 hours to sing the way I want to. It's not easy because my vocal chords are different than most people's.
Especially since I stared studying acting, I feel like I'm always super-aware of my emotions and my feelings and what's going on with me at every moment.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
I think that for me personally, a lot of my choices have been to do with my own issues of not feeling safe as a child and feeling a sense of stability.