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I'm not a very good financing person. I don't even know how much money I have in my bank account. I never have opened one single envelope from the bank - they freak me out.
There are things that I love in Iranian cinema and things that I don't. In Iranian cinema, you have to use metaphor because you are living under a dictatorship.
To tell you the truth, I never wanted to become a moviemaker. It was like I was a cinepihile, and I go, like, three or four times per week to the cinema, and I like to watch films.
Life is complex. You don't have any person who is nice from the beginning until the end. You don't always have the notion of redemption. The bad people don't always pay.
I'm very open and never write what I'm going to say. Speeches bore everybody else. I have to freestyle. Every time, from one program to another, everything changes and I improvise.
I think that all stories - if you make movies about zombies and aliens - it has always to do with your personal story. If not directly, it is about your fears, your obsessions, things like that.
I don't like 'graphic novel.' It's a word that publishers created for the bourgeois to read comics without feeling bad. Comics is just a way of narrating - it's just a media type.
I never wanted to make a graphic novel. As soon as you become a 'writer,' you have to be intelligent all the time... I like the fact that I have the right once in a while to say silly things.
You have to be narcissistic to be an artist. You have to think you are the centre of the whole thing otherwise why do you create? The only thing is to recognise it, and then you make the best of it.
You know, the cynicism that is in the politics, it is not for my soul. It makes me - out of me, an extremely bitter, cynical person that I hate to see in the mirror, really.
If you're not [Federico] Fellini you might make something very vulgar. Animation made it possible to maintain unity with all these different narratives.
I loved Chiara Mastroianni voice, her talent, her generosity. We rehearsed for two months...She's a workaholic and perfectionist, like Vincent [Paronnaud] and myself.
But violence is news, to a certain extent, and people don't want complicated news. Because as soon as you realize things are complicated, your life becomes more complicated.
The language in a comic book or a graphic novel and the cinematographic language are really not the same language. They are false brother and sister. It's not at all the same.
If you know a little bit the psychology of human beings, you have to understand that if you say something you should not do, then everybody wants to do it.