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At the moment, I have it planned as a six or seven year experiment, but the books will only ever appear in bursts like this every couple of years and only with the best quality artists.
Marvel books also feed into the smaller publishers and the fact that this is happening in the same month we're launching Ultimate Fantastic Four is no coincidence.
Wanted has gone into second, third and fourth printings of the individual issues and the north American printings of Wanted #1 are now close to 100,000.
I wanted to portray very, very dark subject matter and a deceptively complex story in the brightest colours and simplest lines possible to leave the readers reeling.
There's almost a universe as big as the Marvel Universe with X-Men. I mean, Deadpool is something I think everybody was taken surprise by, except for the people who read the comic book.
I think most people know the concept of difficult family situations. So I try to just ground a very big concept in something we can all relate to on some level.
I've done so many superhero comics, and I've actually just been really excited about sci-fi, and Chrononauts and Starlight were both sci-fi, which I had a great time doing.
I always think it's a mistake when you actually have to set books aside and actually sit down and research something. I always think they've got to come from within.
Anytime something becomes a success in this way you always get imitators. I'm an imitator of the guys I love. I imitate people like Frank Miller, who is a huge inspiration to me.
For years I've wanted to work with this guy, so to actually write at the top of my scripts "Empress, Script by Mark Millar, Art by Stuart Immonen" is an absolute pleasure.
I love the fact that they [girls ]are into Superman and Green Lantern and Batman and everything, and they really do have all those toys as well, but I don't want all their role models to be men.
Their argument, and I think it's a correct one, is that they'll make more money from the trades and the hardcovers if nobody messes with the creative team.
I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.
I don't know, maybe it's just timely, or maybe it's the fact that I live in a house with four women, but I just find my thoughts kind of skewing that direction at the moment.
I don't see one as bring better or more literate than the other and there's a real buzz to not only writing about a character I love like Superman, but also writing something that kids can enjoy.
He [Stuart Immonen] and I have known each other over email for 18, 19 years or something, so to finally work with him is like kissing the girl that you always wanted to kiss.
It didn't take a trauma to make you wear a mask. It didn't take your parents getting shot...or cosmic rays or a power ring...Just the perfect combination of loneliness and despair.