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Being a teacher at a restaurant in the town where you lived was a little like being a TV star.
While it's true that some writers, when taking on love and war, find the task too big, or only succeed in one but not the other, Mengestu tracks both themes with authority and feeling.
People like to warn you that by the time you reach the middle of your life, passion will begin to feel like a meal eaten long ago, which you remember with great tenderness.
But clearly life took people and shook them around until finally they were unrecognizable even to those who had once known them well. Still, there was power in once having known someone.
After a certain age, you felt a need not to be alone. It grew stronger, like a radio frequency, until finally it was so powerful that you were forced to do something about it.
But now the world, he thought, had taken them. He knew that this could suddenly happen. One day you just woke up, and there was somewhere that you needed to be.
And specialness - everyone wants it. But Jesus, is it the most essential thing there is? Most people aren't talented. So what are they supposed to do - kill themselves?
The only option for a creative person was constant motion—a lifetime of busy whirligigging in a generally forward direction, until you couldn’t do it any longer.
Everybody has a theme. You talk to somebody awhile, and you realize they have one particular thing that rules them. The best you can do is a variation on the theme, but that's about it.
We are all here, on this earth for only one go around. And everyone thinks their purpose is to just find their passion. But perhaps our purpose is to find what other people need.
Until there is no longer the possibility of sadness, of isolation, there can be no gravity. We all float by, rootless, taking clumsy astronaut steps and calling it progress.
The mystery of desire was way beyond the conceptual abilities of Jules Jacobson. It was like ... robotics. Just another subject that she couldn’t understand at all.