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Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.
I often think of my work as visual haiku. It is an attempt to evoke and suggest through as few elements as possible rather than to describe with tremendous detail.
I gravitate towards places where humans have been and are no more, to the edge of man's influence, where the elements are taking over or covering man's traces.
We see in colour all the time. Everything around us is in colour. Black and white is therefore immediately an interpretation of the world, rather than a copy.
Parks and gardens are the quintessential intimate landscapes. People use them all the time, leaving their energy and memories behind. It's what's left behind that I like to photograph.
I don't have anything against colour. It is just not my first preference. I have always found black and white photographs to be quieter and more mysterious than those made in colour.
I prefer to think of photography as a never ending journey with infinite possibilities. I love to return to places to re photograph. Nothing is ever the same. The options are endless.
I believe that we photographers don't benefit very much with answers from other photographers. What is more beneficial is to ask questions of ourselves and see what thoughts float out from within.
I would strongly encourage anybody embarking on photography as a career to embrace and enjoy the whole process. Being a photographer can be a wonderful way to experience the world.
There can be no doubt that probability increases with practice. Fortune favours the brave, fortune favours the prepared mind, and fortune favours those who work the hardest.
I try not to make conscious decisions about what I am looking for. I don't make elaborate preparations before I go to a location. Essentially I walk, explore, discover and photograph.
Instant gratification in photography is not something that I need or desire. I find that the long, slow journey to the final print captivates me far more.
I encourage playfulness and experimentation with both the camera and subject matter. Sometimes there is an obvious perspective, but it is important never to be satisfied with that.