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When I wasn't working I didn't know what to do with myself and sort of didn't exist, in a way, when I wasn't working, so I was like two different people. I am not like that anymore.
You know, when I am working, I take really, really good care of myself. I eat really well, and I exercise, and again, I have this team of people pulling me together every day.
I do think that, at one time, being an actress was the equivalent almost of being a prostitute. It garnered roughly the same respect. That's changed a lot, thank goodness.
If you think hitting 40 is liberating, wait until you hit 50; and I was surprised at how liberating it was. The anticipation of something is always much worse than the reality.
There are certain scenes you do in a movie that are like catching a wave, and you leave work feeling elated - almost as though you've purged something. That's rare, but you do live for those moments.
Actually, I think that turning 29 was more difficult, because once I turned 29, I anticipated 30 for the whole year, so by the time 30 came around it really wasn't that bad.
You've got each other's back. I think if everyone shows up with that attitude, then everybody has a great time, and I think the work is better as well.
De Niro is a classic example of somebody who is iconic and who sort of effortlessly puts actors at ease the moment you meet him. I think it's also just something that he innately does with people.
Every time I set up an interview, I say, "That's it, this is my last one. I'll do this because I committed to doing it, but I'm never doing another one."
I used to do drugs in high school. I've been living in L.A. for almost 10 years, and shortly after I arrived I cleaned up pretty much. Stuff goes on on the set, stuff goes on at parties.
I went to court-reporting school to study stenotyping. After awhile, whenever anybody spoke, in my mind my fingers would be punching it out. Even two years after I quit, my mind still did that.
I like understanding what's underneath, what's really motivating people. When I was younger, I wanted to be a psychiatrist, so I think it has to do with that.
When you're young and have a dream, it's pretty simplistic. You don't think about or have any way of knowing everything it can be, and anticipate that.
I do portraits. I usually do live models in a class environment, but I've been painting at home more. I really love the human form, and I love faces. I've tried to do landscapes a few times.
I decided I needed something that I could feel as passionate about as acting, and something in which I could completely lose myself. I started painting, and I'm still doing it.