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I used to think I was a little unstable, and then I met every girl I've ever dated.
It was a hard name having growing up as a child. Some kids would call me names like "Birbiglebug" and "Birbibliography" and "Faggot". Some were more clever than others.
Everyone tries to get you to dance at clubs. They come up to you and say "You gotta dance! you gotta dance!" And then I dance, and they're like, "Not like that!"
To succeed in comedy you ultimately have to put in the hours and get lucky - The amount of people who are able to break through is so small a fraction of the amount of people trying.
I read recently that women still make 30% less than men in the workplace. Which I think is fine, cause if we didn't make 30% more, you guys would marry each other.
Every comedian comes to a fork in the road where they have to decide if they're going to make jokes about other people or make jokes about themselves. I chose myself.
Failure's hard. There's no way around. Bombing on stage never feels great. You feel judged, you feel alone. But then when your performance works, it's transcendent.
So I went to a club the other day, which is timely because my self esteem had been hovering right around 'normal' and I had been meaning to knock it down to negative 1000.
I wrote on my desk wall when I was writing the film...'Art is socialism, but life is capitalism.' That's the hard thing in all of it if you expect to make a living.
I was made to believe that my life was going to be fixed and it wasn't. I'm still the same loser who had flown to Los Angeles on my sister's frequent flier miles just six days before.
My problem with being in New York City is that you really can't make a living as a comedian. You can, but you have to also take writing jobs, which means less stage time.
Two Drink Mike enjoys dancing and knows a magic trick. Whereas, No Drink Mike enjoys biographies, and has serious opinions on wildlife. And Five Drink Mike... dances with wildlife.
I performed for the U.S. troops in Guantanamo Bay. And signed autographs for people who've been gone from America for so long they didn't realize that I'm not famous.
People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.