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Success is not easy and I think everyone should know that hard work and perseverance and being open to giving back are so much more powerful than stepping all over people to get to the top.
My body is very different from most of the dancers I dance with. My hair is different than most I dance with. But I didn't let that stop me. Black girls rock and can be ballerinas.
You're always working to improve, and you're always being critiqued on your next performance. It's not about what you've done. There's always room to grow.
I feel like I represent every young dancer, and even non-dancer, who felt they were not accepted by the ballet world. I'd like to think that they can see themselves in me.
Ballet found me. I was discovered by a teacher in middle school. I always danced, my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me.
The woman represents ballet. She is most important, powerful and vital to it. Therefore, she is not "less than" a man. If anything she is "more than" in this field.
Different mentors throughout my life have supported and guided me to remember that I do have the strength, courage and talent to do whatever I want to do.
When you see the body outside of a costume and see the strength that it takes, people would look at dance a different way and see how athletic it is. You're not just born like that.
I do think Under Armour is setting a new example for what a ballerina is, and that you can be feminine and an athlete and represent what a woman is at the same time.
I think that I'm so fortunate to have found classical ballet. It completely changed my life and it shaped the person that I am today, on and off the stage.
When people meet me in person, they're usually surprised at how petite I am because there's just [an] idea that because I'm black I just look a certain way.
It's really amazing that I was discovered and that I've been given these great opportunities to travel the world and work with amazing artists. I'm very blessed.
The word "prodigy" was thrown around a lot, but I didn't understand what that meant, or the weight of it. It didn't really mean anything to me, until I was older and could look back on it.
What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.
I think I always felt a connection to music and to movement. Growing up, I was surrounded by R&B and Hip-Hop, and the closest thing I could find to dance was gymnastics which I watched on TV.
My career came together very quickly. I only trained for four years before I became a professional, so I didn't have a lot of time to sit back and be inspired before I took my first ballet class.
Going on stage and doing ballet, for the first time, was even more verification of, "This is what I'm meant to do. This is what I'm going to do. I'm going to make it somehow."
I don't think a lot of people really understand the commitment it takes to being a character that an actor in Hollywood would take to approaching a role that they're doing.