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I was born in Washington, D.C., and I was raised in Milwaukee.
In a way, a certain amount of self-criticism is a good thing, because it keeps you humble. Realizing that no matter what success you've achieved, you can still make enemies makes you humble, too.
All actors bring something unexpected to the role because they have to translate what's on the page and make a real character out of the black-and-white text that's there in the script.
In some roles I have to wear fur, and I always make sure it's fake, like in Austin Powers: The Spy Who Shagged Me. Faux fur is great because it shows people that faux can look fabulous.
It used to be standard practice that the pre-match meal consisted of egg, steak and chicken. But I talked them into changing to complex carbohydrates. So now they will sup on porridge, pasta or rice.
Man is completely out of phase with nature. Nature is woman. Man is the intruder. The man who re-attunes himself with nature is the man who de-mans himself or eliminates himself as man.
For the longest time I was afraid I'd have to keep on working at the factories. There was a steel mill and a pottery; if you didn't go to college, you went to work in those places.
You think about child abuse and you think of a father viciously attacking a daughter or a son, but in my family it was my mother. My mother, I would say, was a... very brutal disciplinarian.
And my father was a comic. He could play any musical instrument. He loved to perform. He was a wonderfully comedic character. He had the ability to dance and sing and charm and analyze poetry.