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I think that when you are famous, it can work against you, people have preconceptions about your image.
I always read the script, try to imagine myself in the role, then decide whether I have anything to give to the part. If you don't feel like that in the beginning, it is not going to go well.
You create a little world when you are making a film and you have to feel that you would want to be a part of that world. I sometimes look at the scripts I get and think 'what are they thinking?'
I would never describe Charlotte as a prude. Maybe at the start, but that was in comparison to the other girls. She wasn't willing to do the stuff they were doing and I mean, thank goodness!
I do a lot of comedy and I like that. I am happy doing funny films. I am often the straight person in a comedy, which is great as long as there are talented people to work with.
I'm beginning to think that life is about passing moments and small celebrations. Without them there's only pain, fear, ambition, and, for some of us, foolish hope.
As the writer, I may choose to ignore the emotional heart of the matter, and focus on details, and trust that the heart of the matter will be conveyed nevertheless.
I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult.
I started with small-press publishers, who were willing to publish all sorts of forms. I didn't move to the larger presses until they knew what they were getting in for.
That's the interesting thing about writing. You can start late, you can be ignorant of things, and yet, if you work hard and pay attention you can do a good job of it.
There is something very pleasing about the principles of science and the rules of math, because they are so inevitable and so harmonious - in the abstract, anyway.
the translator, a lonely sort of acrobat, becomes confused in a labyrinth of paradox, or climbs a pyramid of dependent clauses and has to invent a way down from it in his own language.
To be simple, I would say a story has to have a bit of narrative, if only "she says," and then enough of a creation of a different time and place to transport the reader.
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.
I don't pare down much. I write the beginning of a story in a notebook and it comes out very close to what it will be in the end. There is not much deliberateness about it.
If I was writing about an academic or a more difficult person, I would use the Latinate vocabulary more, but I do think Anglo-saxon is the language of emotion.
Every performer who ever performed in rock and roll or even close to it is lying if they tell you that they weren't influenced in some way or another by Elvis Presley. He turned the world around.
I'm sure that Elvis was happy for me. I think he was the kind of guy that enjoyed other people's success, especially if he had something to do with it.