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I always love being in the company of women. It's all about good conversation and great wine.
It's always nerve-racking to take off your clothes on film. But doing it with a woman felt safer than with a man. You know you can say, 'Don't grab me there: That's where my cellulite is'!
If I have to produce movies, direct movies, whatever to change the way Hollywood treats older women, I'll do it. If I have to bend the rules, I will. If I have to break them, I will.
You won't find me in a romantic comedy. Those movies don't speak to me. People don't come to talk to me about those scripts, because they probably think I'm this dark, twisted, miserable person.
The use of violence in movies is a subject that's worth addressing. I'm not standing on a soapbox or wagging a finger, but I'm interested in those subjects for sure.
Liev cares about a lot things. Israel is one of them. We had the good fortune of going there a couple of years ago. To share that experience with him was a great pleasure.
I go to a dance class myself called BBS - Body By Simone - its little mini dance routines and I am often the oldest person in the room although I forget that. I'm fairly fit.
I felt I grew up when I was about 28. I feel pretty much the same. I get reminded when I look in mirrors that I am not. Hopefully, you keep growing and keep planning things as you go along.
On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.
Noah Baumbach writing is really wonderful. I think the way he plays out each character with a unique voice is really impressive, and rhythmically his dialogue works.
I was never completely destitute. I think I borrowed money once off a friend, but I've always been quite careful with my money, having come from not much of it.
Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project.
I think every time you take on a new role, you're trying to help find that voice and you add your own bits and pieces along the way but with Noah [Baumbach] it's already done.
My spirit had been broken a bit over the years by my having to work on films I didn't love. Hollywood's a surreal place, and it really is an assault on your spirit.
I consider myself British and have very happy memories of the UK. I spent the first 14 years of my life in England and never wanted to leave. When I was in Australia I went back to England a lot.
I'm a tomboy now. I always wanted to fit in with my brother's group, so I climbed trees and played with lead soldiers. But I'm a woman's woman. I never understood women who don't have woman friends.
I want collaboration, but if they don't have a plan or their vision isn't clear, it's nerve-wracking. So, someone that's very sure of the vision is what you want, most of all.
I think film is a director's medium and the good filmmakers that I like tell the darker stories. Therefore, I'm always inclined to follow people like David Cronenberg.