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Extroverts never understand introverts, and it was like that in school days. I read recently that all of us can be defined in adult life by the way others perceived us in high school.
Sometimes you're up against everybody in the whole world - even your friends and family are saying, "You need a single." You feel sometimes incredibly alone.
I want to be an improviser, and I've worked very hard at that. It's an art. You don't just play whatever comes into your head; you have to be very deliberate about what you do.
For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
You can do a lot in a lifetime, if you don't burn out too fast/You can make the most of the distance/First you need endurance/First you've got to last.
What a young musician's dream, to say, "Look at those chrome drums. Look at that 22-inch ride cymbal. I'll have those." It was one of those unparalleled exciting days of your life.
I am a big fan of Dos Passos' stylistic ability, his poetic approach to prose, but the ideas presented in the songs are quite different from those which he exemplified.
With people too, you constantly think, "If I'm nice to people and treat them well, they'll appreciate it and behave better." They won't, but it's still not a bad way to live.
When I was young, my ambitions were very modest. I thought, "If only I could play at the battle of the bands at the Y, that would be the culmination of existence!"
To get nostalgic about other people's music, or even about your own, makes a terrible statement about the condition of your life and your prospects for the future.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.