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The natural state of the football fan is bitter disappointment, no matter what the score.
I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it.
It's no good pretending that any relationship has a future if your record collections disagree violently or if your favorite films wouldn't even speak to each other if they met at a party.
Sentimental music has this great way of taking you back somewhere at the same time that it takes you forward, so you feel nostagic and hopeful all at the same time.
When you get older, it feels like happy memories and sad memories are pretty much the same thing. It is all just emotion in the end. And any of it can make you weep.
There isn't so much to be afraid of, out there. I can remember thinking it was funny to find that out, on the last night of my life; I'd spent the rest of it being afraid of everything.
I'm a good person. In most ways. But I'm beginning to think that being a good person in most ways doesn't count for anything very much, if you're a bad person in one way.
One thing about great art: it made you love people more, forgive them their petty transgressions. It worked in the way that religion was supposed to, if you thought about it.
There had been times when he knew, somewhere in him, that he would get used to it, whatever it was, because he had learnt that some hard things became softer after a very little while.
Self-pity is an ignoble emotion, but we all feel it, and the orthodox critical line that it represents some kind of artistic flaw is dubious, a form of emotional correctness.
Telling me I can do anything I want is like pulling the plug out of the bath and then telling the water it can go anywhere it wants. Try it, and see what happens.
It's often the way that people who take their work seriously laugh at stupid jokes; it's as if they are under-humored and, as a consequence, suffer from premature laugh-ejaculation.
We have one of those conversations where every thing clicks, meshes, corresponds, locks, where even our pauses, even our punctuation marks, seem to be nodding in agreement.
Most people have a rope that ties them to someone, and that rope can be short or it can be long. (Be long. Belong. Get it?) You don't know how long, though. It's not your choice.