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My experience in TV is that it takes time for shows to find their way.
Seinfeld has his way of telling jokes - and I'm not comparing myself to Seinfeld, his genius is observing the small details of everyday life and finding humor in it.
A lot of times, you're circling around a lot of things, and then you find that one person, or that little piece of dialogue, and it doesn't always have to be in person.
Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.
Music was not a big deal to me when I was in middle school. And then I slowly became a big jazz fan. Even more than concerts, a lot of my high school time was spent going to jazz clubs in the city.
I think that being on the road and doing more and more stand-up has allowed me to figure out... like, I don't think I'll ever be Bill Hicks, but I think I'm figuring out what my opinion is on things.
My first concert isn't that cool or ironic. I wish it had been like, "My first concert was the Backstreet Boys," but the first concert I went to, I think, was this band called The Samples.
In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.
Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.
When you're rereading or editing your book and you start to expect that this work is going to be reviewed, and you can sort of tell which line is going to show up in reviews.
I'm always reading books, I'm always having encounters, I'm always taking trips. Whatever it is you come up with about how you got started, that's equally true for all the books you didn't start.
Any veteran can tell you it is already hard enough to see a doctor down at the VA and get the health care they were promised when they signed up to serve this country.
And that doesn't cost any money, to have decent relationships and viable situations. What costs money is car chases and shoot-outs, so I always thought that the thing to work on was the characters.
I think one of the luxuries of being a filmmaker is that you can ask questions but not necessarily have to answer them. Certainly, if I was a politician I'd need to come up with some answers.
I sort of have various sort of theories when people ask me about songwriting because it is a mystery. You don't really know. Sometimes you can do it and sometimes you can't. It's really peculiar.