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You look at somebody's work as an actor and you can see their emotional life being fed into it and you can kind of feel them through it.
I've always loved the drama and the creating of a role and performance and all that comes with that, but I then also kind of like to have just the white picket fence life if that makes sense.
I think that divorce is hard for anyone. It's a nightmare - it just is - and you can pretend you're fine. And [there are] days you're great [and] days you're not great.
I suppose the underlying current for me is the idea of not doing something I've done before. I call myself a character actor and I'm always trying to stay a character actor.
I think you put art out into the world, and sometimes it's divisive, sometimes it's embraced. Sometimes people cry, laugh or have complicated reactions.
You'll nip anybody who's coming at you with bullshit. You don't play around. You take this craft very seriously. It's what separates you, what separates an actor from an artist.
It's taken me 40-something years, but I embrace the curl. My littlest daughter has the same hair. She likes it when my hair is curly, so I wear it for her.
Honestly, people have said everything under the sun. I just want to do my work, raise my kids, and hopefully find somebody who I can share my life with again.
They give us access to another world, they give us access to dreams. It's our way of living in a different realm for a short period of time - and how beautiful is that?
When I was working with Stanley Kubrick [on "Eyes Wide Shut"], he would always say, "You never tell the audience what to feel. Let them choose to have their responses."
If I was in Sydney, I love the beach. Even though I'm incredibly pale, I put on these terribly long unattractive rashies, and people laugh at me. My kids laugh at me. But that's what I would do.
As an actor you don't control the end result. Because you're a director, you get to control the end result. I think for us, we really have to show up and participate and give. And then let go.