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For the traveler we see leaning on his neighbor is an honest and well-meaning man and full of melancholy, like those Chekhov characters so laden with virtues that they never know success in life.
I consider myself a person who comes from a Muslim culture. In any case, I would not say that I'm an atheist. So I'm a Muslim who associates historical and cultural identification with this religion.
In poetically well built museums, formed from the heart's compulsions, we are consoled not by finding in them old objects that we love, but by losing all sense of Time.
...the waiting was torture, the worst Ka had ever known. It was this pain, this deadly wait, he now remembered, that had made him afraid to fall in love.
The power of things inheres in the memories they gather up inside them, and also in the vicissitudes of our imagination, and our memory--of this there is no doubt.
To be left with only the trace of a memory is to gaze at an armchair that's still molded to the form of a love who has left never to return: It is to grieve, dear reader, it is to weep.
Believing that Sibel was saying these things to me to make me angry, I got angry. But this is not to say that the fury owed nothing to my partial awareness that she was right.
A novelist is essentially a person who covers distance through his patience, slowly, like an ant. A novelist impresses us not by his demonic and romantic vision, but by his patience.
These were innocent people, so innocent that they thought poverty a crime that wealth would allow them to forget. --- from the notebooks of Celal Salik
To write is to transform that inward gaze into words, to study the worlds into which we pass when we retire into ourselves, and to do so with patience, obstinacy, and joy.
It’s not enough to be oppressed, you must also be in the right. Most oppressed people are in the wrong to an almost ridiculous degree. What shall I believe in?
Eventually, we come to love certain novels because we have expended so much imaginative labor on them. This is why we hang on to those novels, whose pages are creased and dog-eared.
I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual.