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The idea of, 'The journey is the destination' is put into action by browsing in an indie record store. Besides, a human being is a much better guide than a 'More Like This' link on the internet.
So when you spot violence, or bigotry, or intolerance or fear or just garden-variety misogyny, hatred or ignorance, just look it in the eye and think, 'The good outnumber you, and we always will.'
I want to experience as many different tastes, sights, emotions, conflicts, and cultures as possible, so that I can expand the canvas of my memory and enrich my comedy.
I've hung out in the writer's room a few times, but the fact is we've got such a good writing staff, I don't want to get my peanut butter fingerprints on anything.
You can be an amateur and have a passion for something, but it takes a long time to actually become a professional, meaning that you can handle any situation.
Growing up there are always those kids who are only happy when they are making someone else upset. That is unfortunately just how some people are. Some people are just born with bad wiring.
With acting, you see some of the kids are literally just off the street, untrained, and they are great. And others are off the street, untrained, and kind of horrible.
I think the kind of person that gravitates toward New York is a person that's not so much focused on controlling exactly how they appear and how they exit. They're more fascinated with the process.
Any acting job that I ever got, I always treated it like I was a neophyte, I didn't know what I was doing and I was going to work just as hard as I do on my stand-up.
I mean, the death in the late eighties and early nineties really shook out a lot of hacks. The pond just sort of dried up for a lot of really bad comedians.
There are times when I have to take, I call it a “silence bath,” where I shut off all of the external gadgets. I go walk around, talk to people, and just live life for a while.
I know how my body operates differently from what it did when it was 30 and when it was 20. As unhealthy as I am, I'm weirdly aware of exactly how my body functions.
I've had some pretty good arguments with people, but I've never regretted it. I've had people come up where it's all emotion and no fact. That's always sad.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.
Here's what I'm afraid of. I know a lot of comedians, friends of mine, who just got into the "Doesn't matter what I say. It doesn't matter. They're just gonna laugh anyway."
One of my groupies gave me a film that they made, and it ended up being amazing, so I got it shown at South by Southwest. If I can help get their stuff out there, then great.
Yeah, there were a few years in the early nineties where I really began to hate what was valued as funny and just sort of what was valued in stand-up, period.
All the truly great stand-ups say, "I go onstage, and I work on jokes. The inspiration will happen while I'm doing my work." To me, in the end, the surest thing is work.
I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.