Paul Thomas Anderson Quotes

My older sister was at the cusp of new wave, and I had older brothers from my father's first marriage who were rock 'n' roll guys, so I was exposed to a lot of popular culture.

Screenwriting is like ironing. You move forward a little bit and go back and smooth things out.

I'll rebel against powers and principalities, all the time. Always, I will.

Acting is the hardest job in the entire world. By far. Harder than ditch digging.

My dad was this sort of avant-garde guy who did all kinds of weird things. He was a true original and anybody who met him never forgot him.

It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.

I am always looking for that nuance, that moment of truth, and you can't really do that fast.

My writing has a lot to do with who I am, and what my life is like, and my relationships to people.

Film school is a complete con, because the information is there if you want it.

You write who you are. But you also cheat, and youwrite what you want to be. It's embarrasing to be the guy who madethe movie, knowing you're not exactly who you want to be.

There’s a lot for screenwriters to steal from songwriters, in terms of getting to the point.

I'm completely aware of the fact that I'm a control freak.

Well I'd really love to work with Robert De Niro, because he's still the most talented actor out there.

Clinton used to like to get out of the White House a lot. He would take night trips to McDonald's, and stuff like that. I think he wanted to get out of the house.

If you figure a way to live without serving a master, any master, then let the rest of us know, will you? For you'd be the first person in the history of the world.

I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.

But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.

I've never been a fan of whimsical or confusing storytelling.

Of course, I'm no dummy.

I have a feeling, one of those gut feelings, that I'll make pretty good movies the rest of my life.

To make a film, the final big collaborator that you have is the composer.

I write from my stomach.

I don't think it's a director's job to peek behind the curtain too much.

I don't think the competition's so rough, within the majority of movies made in Hollywood.

Crazy is so hard to play, there's nothing you can really tell an actor.

No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.

I had the standard movie geek childhood, because for as long as I can remember, all I wanted to do was make movies.

I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.

I didn't have any desire I might have had 10 years ago to shoot every single word that I wrote.

I don't want to be the angry guy.

You know, I'm really not that competent at describing things musically.

I don't miss scenes at all the way that I used to miss them when I was younger making a film. It's actually quite fun to get rid of them now.

So with 'There Will Be Blood,' I didn't even really feel like I was adapting a book. I was just desperate to find stuff to write.

As I have got older and become a father, there's less and less time for films.

The films that I love are very straightforward stories, like really old-fashioned stuff.

We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?

How do I respond to criticism? Critically. I listen to all criticism critically.