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The reason we shot it was that the script was geared to Las Vegas and it was something commercial that we wanted to have in the can in case Butterfly was a success and we needed a follow-up.
And I like the way Cain writes his women. Very strong. They're kind of lusty, they know what they want, they're full of conviction. Cain's women are sexual.
I'm just not comfortable with that society stuff. I mean, we were just invited to the White House, but my husband won't take me because he knows I don't want to go.
In a way, my past gives me a little credibility. Not that anybody cares what I did nineteen years ago, but I did have a career, and a legitimate one, before I met my husband.
I don't like to go to the movies to see violence or some kind of spy thing with all kinds of information you have to assimilate to understand the plot.
Then I went through a whole bunch of crap with my lousy movies and pop records. I had people behind me kind of steering me in that direction, but it wasn't really my bag.
You know, it's not the people in Hollywood who go to see movies that will make a movie successful; it's the people all around the country; it's word-of-mouth.
You know, it was important for me to do something like that, because nobody ever really thought I could do anything except look sexy on a poster and go shopping.
You know, after the film I said to myself, "It's a good thing you were so stupid not to be nervous. If I'd been nervous, it would have ruined the whole thing.
When I was 21 I stopped and got married. I tried for a while to be the perfect wife, society this, society that but it wasn't working, so after about a year I went back to work.