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If you can tune into the fantasy life of an 11-year-old girl, you can make a fortune in this business.
After you've done the first feature, then you have heck of a difficult time getting your second film off the ground. They look at your first film and they say, "Oh well, we don't want you anymore."
I like Star Wars, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies.
You can't put a title card at the head of the movie and say, "Well, we really had a bad problem. You know, the actor got sick and it rained this day and we had a hurricane."
You have to have a thick enough skin to cope with the criticism. I'm very self-critical and I have a lot of friends that I trust who are film directors and writers and people in my profession.
Although I write screenplays, I don't think I'm a very good writer. I'm very interested in studying cultures and social issues, but as an academic I don't think I would have been too successful.
Learning to make films is very easy. Learning what to make films about is very hard. What you’ve really got to do is focus on learning as much about life, and about various aspects of it first.
Because we [people] have an intellect, part of what we do is try to understand the "intelligent design." Everything we don't know is "intelligent design." Everything we do know is science.
I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic.
Change, of course, is growth, and anything that is not growing is either paralysed or it's not alive, because that's life; we always change and we grow.
I'm not going to date a crazy party animal; I'm more into culture. I'd rather go to a museum, travel somewhere, or go to a play. That's more interesting to me than partying at the hottest club.
L.A. can be very superficial, and it's hard to meet cool people here. I try to stay away from the glitzy side of the business and have a normal life as much as possible. I keep to myself.
Sometimes it's harder to play good tennis with a bad tennis player - the same way it's hard to be a good actor with a bad actor. It's just an unpleasant experience.
I've worked with some incredibly difficult directors but my understanding is that a lot of the best people are driven from a place of being extremely challenging and dark within their way
I was making choices that were very specific: Make a living, take care of your family, and if you can, find some movies that you can sink your teeth into.
I think I've spent so much time playing characters that are so far away from me and learning how to technically build and how to technically put something on top of you.
I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole