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I want to be able to love you, more than I fear losing you, and I don’t know how.
The world is changing and you’re only just becoming accustomed to it. You’re changing, I suppose. You’ve changed since I’ve known you.’‘How?’‘You’ve come more alive.
I'm accustomed to reading Georgian and Victorian letters and sometimes you simply know in your gut that a blithe sentence is covering up a deeper emotion.
I just think when extraordinary people are discovered, extraordinary exceptions should be made. " ~ Sarajane From Eden Forest (Part one of the Saskia Trilogy)
When you fake emotion for a living, when you make your money providing fantasies for other people, tuning into their worlds and indulging them, you don’t invite someone into your world very easily.
I am a storyteller, not a historian, and it's my ambition to create something compelling - something unputdownable and riveting - that chimes with the real history but is, in fact, fiction.
There are many soul-stirring things in this world, but not many as profound as watching the beautiful man you love holding the baby you created together. No, not many.
I know a lot of writers, and everyone works differently, but this is something that we truly have in common across all genres - the fiction has to be real inside your head.
I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show.
I decided to coin the term 'cosy crime noir' for Brighton Belle. That is 'cosy crime' for today's sensibilities because there is that slightly edgy element to it.
Looking at my life through the lens of history has made me increasingly grateful to standout women who pushed those boundaries to make the changes from which I have benefited.
Our archives are treasure troves - a testament to many lives lived and the complexity of the way we move forward. They contain clues to the real concerns of day-to-day life that bring the past alive.
When you're depressed you retreat and you go into a smaller world. This is why Brighton worked well for the story, because it's a smaller world than London.
Vesta was so good with paperwork – you could hand her a file of drab, seemingly dull information and she’d construct a story from it worthy of a novel.