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Each wrong act brings with it its own anesthetic, dulling the conscience and blinding it against further light, and sometimes for years.
what about Christianity? Are we right in the face of so long a record of its poverty in international achievement, to keep invoking it as a standard, almost synonymous with civilization?
There have been a lot of murders and suicides in my family; it's like the primary cause of death. I wonder if there's a certain energy that attracts that.
The fact that I still want the best for the world is kind of amazing. People slandered me for years and years and years. I would say to them, "Thanks for having a closed mind".
Some people do have a very innate sexuality to them. I may or may not have it, but it makes people see you in a certain light that has nothing to do with me.
I live a very international life, but when I come back to Hollywood, a town I love in a lot of ways, I have to wonder, "What decade are you in? Like, seriously, what decade? It's not this one."
I was never nervous directing. Not once. I'm more nervous acting. I'm far more nervous on set, before I say my lines, than I ever have been, as a director.
I see so much beauty in people and in the world and when I see ugliness I try to either expose it or fight but also remind myself that it's mostly just people who can't spell who say mean things.
You have to be at the forefront of culture to create art, which they call "product," and Hollywood is not. It's this very old business model, which I think is dying in a lot of ways.
You have to work to carve out your own little corner, and I'm certainly smacking my head against the wall trying to make a dent. I just hope I don't get brain-damaged before I get there
I'm not attracted to dangerous men. I'm attracted, apparently, to height. One ex was 6'6; the one before was 6'4, then 6'3. I like freakishly tall people.
I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.
I know that I don't have a perfect performance that I bring to set. I bring ideas to set, and I'm more than willing for those to be affected and be malleable, based on what the other person gives me.
As an actor, I was taught, from an early age, that secrets are the most powerful thing that you can have on screen, and that what you withhold is as important as what you share.
My ideal is that we all be economically interdependent. We should not be independent like millionaires, nor dependent like laborers. My ideal is that we all be interdependent.