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My biggest challenge will be to play the totally submissive woman. It takes a toll on you when you play someone who's far removed from your personality.
You don't know what unconditional love is. You may say you do, but if you don't have a child, you don't know what that is. But when you experience it, it is the most fulfilling ever.
You always make a film with the hope that all types of people will want to see your work and that it doesn't matter about your color, but unfortunately it still does.
A Modern Mom to me is not always someone that juggles a career and family. A Modern Mom is a woman who takes care of herself on the inside and the outside.
It's an honest place to be if you don't understand someone else's experience, but there's no way for the other to understand if a conversation or an explanation isn't made.
I learned a lot from my Mom. My favorite lesson: remember there is no such thing as a certain way to parent and to remember that you are learning along with your child - it's ok to make mistakes.
When you look at "American Crime" and you have the character Terri LaCroix is a pharmaceutical executive - why does that character always have to be white?
We play different people - our art form is performance art - so unless you're playing the same type of person, I don't know if you could improve or make it worse.
I've always been selective about materials I choose anyways. The incoming calls haven't been projects that I necessarily want to do. Now I can always be called "Emmy winner Regina King."
I recognize the amount of time that it takes as a director. I made the choice to stop taking roles outside of L.A. because I didn't want to miss any of my child's life.
I create my own backstory regardless of if I'm told something about the background or not. There's always more that you can develop in your head that makes a character more layered, more honest.