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At the risk of appearing disingenuous, I don't really think of myself as 'writing humor.' I'm simply reporting on the world I observe, which is frequently hilarious.
My books are elegiac in the sense that they're odes to a nation that even I sometimes think may not exist anymore except in my memory and my imagination.
I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.
What I discovered I liked best about striking out on my bicycle was that the farther I got from home, the more interesting and unusual my thoughts became.
The world is divided between kids who grow up wanting to be their parents and those like us, who grow up wanting to be anything but. Neither group ever succeeds.
Cary Grant never won an Oscar, primarily, I suspect, because he made everything look so effortless. Why reward someone for having fun, for being charming?
I don't think there's a shortage of material in the world. Or in my head. I just pray for continued good health, because I've got other stories to tell.
Stories worked much the same way . . . A false note at the beginning was much more costly than one nearer the end because early errors were part of the foundation.
You can be interested in a Jane Smiley novel whether or not anyone says a word. She enters into her characters thoughts with great understanding and depth.
Some authors have a very hard time understanding that in order to be faithful to the spirit of the book, it's almost always impossible to remain faithful to the text. You have to make changes.
I’ve always known that there’s more going on inside me than finds its way into the world, but this is probably true of everyone. Who doesn’t regret that he isn’t more fully understood?
I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?
A lot of my characters in all of my books have a self-destructive urge. They'll do precisely the thing that they know is wrong, take a perverse delight in doing the wrong thing.
That afternoon I came to understand that one of the deepest purposes of intellectual sophistication is to provide distance between us and our most disturbing personal truths and gnawing fears.
One of the odd things about middle age, he concluded, was the strange decisions a man discovers he's made by not really making them, like allowing friends to drift away through simple neglect.