Robert Davi Quotes

I was born in the 50s, my mom was pregnant in the 50s, [Frank] Sinatra had that big come back around then, From Here to Eternity.

I think back, when I saw The Great Gatsby, the film, my grandfather probably helped supply all the alcohol to all these Southampton parties, back then.

In an Italian household, there were two figures for me growing up - you had the Pope and you had Frank Sinatra, and, of course, Tony Bennett. And not necessarily in that order.

I've been going around the world; I've been to China, I sang at the General Assembly, the Security Council.

There was something in the bel canto, not just opera, but a certain style of Italian singing that I responded to deeply.

I met Quincy [Jones], he had heard my album, someone played the album and he flipped over it.

You have your children and it's hard to even hold it in - emotionally.

The music and the message, to me, is something that is imperative and that's what drives me know.

I had a different upbringing - my dad worked three jobs. You know, it wasn't as easy as they had it.

I had a little bit of a vocal strain at a certain period of time that made me lay off the singing, and while I was lying off the singing, I was pursuing the acting.

I had always been affected by films, as well, of course - and great films.

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.

It didn't feel organic and [Tito] Gobbi was one of the artists that was able to, along with Maria Callas, incorporate not just the sound, but the emotion, the technique of the singing.

[Frank] Sinatra, to everyone, even Tony Bennett, was such a huge influence because he had mastered not only music, but film and radio.