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Ah, were she pitiful as she is fair,Or but as mild as she is seeming so,Then were my hopes greater than my despair,Then all the world were heaven, nothing woe.
Ah! what is love! It is a pretty thing, As sweet unto a shepherd as a king, And sweeter too; For kings have cares that wait upon a crown, And cares can make the sweetest love to frown.
I just know who I am and what's comfortable for me and I don't personally do things in life because others do it or because that's what society tells me I should do.
I have examples of people who find their way back later on in life, in their 30's, 40's, it can happen in your 50's, I'm sure it can. It's not really a science. It's maybe more of an art.
A lot of things in history are timing, and it's very peculiar because in retrospect things [and] people can look more brilliant or necessary than they actually were.
I make non-fiction partly because I'm not that good of a writer. My talent, if I have any, is in balancing, capturing and directing reality, rather than creating scenarios.
It's sometimes hard to talk about politics and art. Obviously, I have my core beliefs, but I think art is best when it's troublesome and pushes against stuff.
People who are reading my books, or who are thinking about it, have some general idea about the concept of strategy. They're better off than somebody that has none. So I would never say it's useless.
I have sort of issues with my claustrophobia where being on an airplane or if I force myself, to put myself in these circumstances that I kind of, am afraid of, that can be a way to toughen me up.
If you are interested in a form of science or interested in a particular kind of business or whatever - or if you want to be a writer, there's so much information out there, it's almost too much.
Obviously there's Netflix, iTunes, and Amazon and all these other outlets. Fake It So Real is now on Fandor, and I think people have actually seen it there, which is fine.
I often daydream about the future, thinking of the world in 100, 200 years, imagining what it looks like, feels like. I hope that my books are like ghosts that will inhabit this future.
I really do think you shoot for that beautiful experience of showing your movie in a crowd or room full of people, or even just one person who happens to go to a matinee screening.
I'm the kind of person that wants to analyze and I think having a background in, strangely enough, in like literature and languages, I'm always analyzing things.
It's fortunately a kind of society we live in where we can be diverse. People can take different paths and not feel like they're doing something wrong.
I'm probably, if I might, if I stray I might write, go into screenplay or do something in film. Something like that but I think I'm pretty much going to stick to what I'm good at.