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I don't really hang out with anyone. I'll hang out with my band ... but I don't have any friends aside from that.
Fleet Foxes will never, ever, under no circumstances, from now until the world chokes on gas fumes, sign to a major label. This includes all subsidiaries or permutations thereunder. Till we die.
I'm looking forward to doing things more intuitively in the future, just going with whatever happens and not immediately categorizing it as potentially good or bad or original or whatever.
I love Seattle, but I am definitely excited to be in a new place. Growing up there and then living in an apartment in the city for seven years, I just felt stagnant.
We're covering all our bases so we can do whatever we want next time. That's how we're looking at it, rather than this just being an endless number of album/tour cycles.
I've been listening to a lot of John Coltrane. I don't know if that would or wouldn't surprise anybody. I go through different phases - sometimes I want to listen to music that's just pummeling.
We're going out to play all the places where people might want to see us, because next time we might not just think about hitting every market or how we can make the most money.
I write all the time but often abandon things I don't think will go anywhere. It's rare that I'll labor over writing something that doesn't feel like it will turn into a keeper.
As far as the music being inspired by Seattle, I think it's in some of the songs. Seattle is a really beautiful place in the right light, it's perched on a pretty unique geographic setting.
Sometimes I do get writer's block but it's more of a writer's doubt - I'll try and write but nothing goes anywhere because I start thinking everything sucks.
You want to think about certain styles of music as being reflective of a certain culture or a certain time or a point of view. You don't want it to be just an intellectual exercise.
I think that's becoming more and more of a priority, letting other aspects of life take precedent over making music, or just approaching the whole thing more holistically.
The lyrics to me are a result of the emotional and creative climate present while making the record as well as personally going through a sort of mid-twenties stock-taking.