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There is nobody who totally lacks the courage to change.
Tools and techniques ought to be an extension of consciousness, but they can just as easily be a protection from consciousness. Then the tools become defence mechanisms... against the unconscious.
However it may be confounded or covered up or counterfeited, this elemental capacity to fight against injustice remains the distinguishing characteristic of human beings.
Terrorism and the whole drug scene are vivid examples of the fact that what persons abhor most of all in life is the possibility that they will not matter.
There is a curiously sharp sense of joy - or perhaps better expressed, a sense of mild ecstasy - that comes when you find the particular form required by your creation.
Competitive individualism militates against the experience of community, and that lack of community is a centrally important factor in contemporaneous anxiety.
The danger always exists that our technology will serve as a buffer between us and nature, a block between us and the deeper dimensions of our own experience.
Humor is the healthy way of feeling "distance" between one's self and the problem, a way of standing off and looking at one's problem with perspective.
Artistic symbols and myths speak out of the primordial, preconscious realm of the mind which is powerful and chaotic. Both symbol and myth are ways of bringing order and form into this chaos.
It is highly significant and indeed almost a rule, that moral courage has its source in such identification through one's own sensitivity with suffering of one's fellow human beings." (p. 16-17)
Whereas moral courage is the righting of wrongs, creative courage, in contrast, is the discovering of new forms, new symbols, new patterns on which a new society can be built.