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In my films that I've directed, and my work in commercials and videos, I've rarely used handheld. It's just not something I'm drawn to, but I've seen it done very well.
Recently, I was in Bernalda, my dad's ancestral home town in Italy. He has just refurbished a palazzo and turned it into a hotel, so we had my sister's wedding there. It was beautiful.
I've been enjoying 'Life on the Mississippi' by Mark Twain that I picked up at the airport randomly. It's very witty and interesting to read about his time as a steamboat pilot.
On Darjeeling, I was on set every day and I acted as the second unit director and a producer on that film. I was there throughout the whole process. On Moonrise Kingdom, I showed up for one day.
I feel like I am very drawn to the short form stuff because it's just fun to be making something, and then, a week later, it's out. I will always be drawn to that kind of thing.
As a director myself, you want to have colleagues and collaborators that respect your authority as the director. I'm very comfortable with that, and I've done a lot of work in second unit.
A movie that I'm involved with and have a lot of love for, which is On The Road, does use a lot of handheld. It can be done beautifully. I'm proud of that. It's a very beautiful movie.
I love 'Chitty Chitty Bang Bang' and I love 'Bugsy Malone.' I haven't seen 'Bedknobs and Broomsticks' in a long time, but I remember loving it as a kid.
I really value distinctive movies, movies that feel that they came from a person that was really something that they had conceived and they made and is a reflection of who they are.