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I suppose you could say I love outlaw American culture.
I'm very aware that we make these decisions toward love or hate every day. I certainly don't have the stamina to live through each day making only the noblest decisions.
A piece of cloth that is called "linen" has more validity than calling you and me "black" or "negro." "Cotton" has more validity as cotton than yours and my being "black."
Of course, every time I end a book, I look down at myself and I'm just the same. I'm always disappointed that I'm just the same, but not enough to never do it again!
I think in many ways the problem that my writing would have with an American reviewer is that Americans find difficulty very hard to take. They are inevitably looking for a happy ending.
In isolation I ruthlessly plow the deep silences, seeking my opportunities like a miner seeking veins of treasures. In what shallow glimmering space shall I find what glimmering glory?
I swim in a shaft of light, upside down, and I can see myself clearly, through and through, from every angle. Perhaps I stand on the brink of a great discovery.
It's very funny, American society: White culture can do all sorts of things and get away with it, but the minute a black person does it, it's interpreted in some way.
If you just sit there, and you're a writer, you're bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals.
The thing about writing in America is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it's the wrong thing. It's not a profession.