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Do not believe that any one can know, better than yourself, what is right for you. Listen to what others have to say, but always form your own conclusions.
The person who does not desire to live more abundantly is abnormal, and so the person who does not desire to have money enough to buy all he wants is abnormal.
It is a natural law that like causes always produce like effects; and, therefore, any man or woman who learns to do things in this certain way will infallibly get rich.
I grew up. I began to think the United States had some problems that really required the help of artistic people to solve. And I gave myself permission to be a writer instead of a civil servant.
My style as a human being is to indulge people who need to escape, yet I insist on confronting them as a playwright. It's quite embarrassing, it's quite unpleasant, it's quite awkward.
"The Fever" is a one-person play. I decided I would perform it myself, and I decided I would not perform it in theaters, because the character in the play says certain things that I meant.
I think I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. It's not the way people talk in life at all.
But because we've all been readers, we know what the experience is like, and we hope that what certain writers have given to us, we will give to someone.
From being a writer of plays, it was not that surprising that somebody thought of giving me a job as an actor. After I played one part, others came along.
I think the whole system of education would change if I were in charge and had the ability to make changes. I don't think I would keep Princeton exactly being Princeton.
My father was a jazz listener, and I think, at least before I was 5, I was not so into that. Although there were records that emphasized percussion that I liked, like Baby Dodds.
I love going to plays. There's a subconscious side to it, obviously-some people like to be spanked for XYZ psychological reasons, and I like to go to plays, and I can't entirely explain why.
When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.
My personal life is lived as 'me,' but my professional life is lived as other people. In other words, when I go to the office, I lie down, dream, and become 'someone else.' That's my job.
The actor's role in the community is quite unlike anyone else's. Businessmen, for example, don't take their clothes off or cry in front of strangers in the course of their work. Actors do.
Floating upward through a confusion of dreams and memory, curving like a trout through the rings of previous risings, I surface. My eyes open. I am awake.
When I was twenty I was in love with words, a wordsmith. I didn't know enough to know when people were letting words get in their way. Now I like the words to disappear, like a transparent curtain.
Human lives seldom conform to the conventions of fiction. Chekhov says that it is in the beginnings and endings of stories that we are most tempted to lie. I know what he means, and I agree.