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In my mind these two instruments speak to me in different ways, and the solo stuff seems to be easier to do on the soprano.
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I always like that when that happens, when something comes that is more than the sum of the parts.
I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on.
In the early days, I had very little idea about arrangements, and I wrote songs a little flat, as it were, just on an acoustic guitar. They didn't really have quite enough nuance.
Mostly I've never let record companies become involved with my music, which was a very smart thing that my first manager Dave Robinson did, to keep them out of it.
I went to Morocco, joined a band called Pegasus, ran out of money, went to Gibraltar and worked on the docks, writing songs about the sun and the morning and the birds.
I started to work up in my old bedroom, playing, writing songs, and it somehow came to me that I could introduce soul music. Nobody seemed to be doing that.
We all know the experience when you go to a film and it feels partial. There were elements that you really love, but it doesn't feel like they fully owned all elements of it.
Ultimately as much as the film industry is a business, it's a democracy. And the audience votes on how they feel based on the way they spend their money for tickets.
One of the hardest things for me as an exec was always, particularly as you progress further in the system, is that you're pushed further away from the day to day, the mechanics of making a movie.
I think sequels are very dangerous if you assume and presume success. I think you have to plan each film as a standalone and commit yourself to that as your primary objective.
He ran his hand up and down his left achilles tendon. Very tender; better pay attention to it and back off if it gets any worse. Maybe ice it. The old Injury Evasion Fandango. Did it ever end?
Faith comes in different tempers: there's the hard, brittle faith that shatters when it meets an obstacle it can't cut through, and the tough, springy faith that bounces off unchipped.
I don't want to play a laptop live if I'm just going to sit there, so it's also a problem of working at my movie theater job long enough to get money to get better equipment.
I do not think that we have psychological and ethical and economic problems. We have human problems, with psychological, ethical and economical aspects, and as many others as you like.
administrative purpose usually outruns the facts. Indeed the administrative official's ardor for facts usually begins when he wants to change the facts!