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I am surprisingly optimistic, though lately that's been hard to maintain. Art and slow, small, close gestures help remind me of my optimism.
The lion's share of my work is revision, 85%? I revise forever, combing over lines, listening and listening to them in different hours and moods so that I feel they are finally right for me.
There's a voice when I write. I speak everything aloud. My family is so accustomed to me talking to myself that often times they don't answer me when I am trying to speak to one of them.
I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.
Coming back into television, I was very, very wary about committing to anything that could potentially take a long time. I don't mind movies, but I was nervous of television.
I grew up singing professionally since I was 7 years old and so to get to play a character who's living out their Rock star dreams as JEM was pretty much epic.
There's something beautiful about working in the one place in the world where the world is present, like United Nations. Otherwise, one would have to go to each of these countries to negotiate.
No more than a surgeon can operate while tweeting can you reach your potential with one ear in, one ear out. You actually have to reacquaint yourself with concentration. We all do.
The story of U.S. policy during the genocide in Rwanda is not a story of willful complicity with evil. U.S. officials did not sit around and conspire to allow genocide to happen.
I always felt that sci-fi and fantasy were my thing. Bit of a geek, Im afraid. But I like creating worlds, and I felt it was a genre that gave me more freedom. It just seemed like I belonged there.