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Why is it only now that I can see how many ordinary things are actually grotesque?
I know with unqualified certainty that I want to die. But I also know with equivalent certainty that I won't do anything about it. That I will only remain here and wait for death to indulge me.
This morning, I see the lead in my glass tumbler. A slim, bright glint, a silverfish. I feel it collecting in my blood, papercutting the lining of my veins.
What bothered me was all of the time he wasted by drumming, and all the time I wasted by listening to him drum, by taking pleasure in it, for pleasure is almost always a waste of time.
Sometimes things happen that give me cause to believe I no longer exist. Car park barriers which do not lift when I drive towards them, automatic doors which do not open automatically as I approach.
In the days approaching Christmas, she always reminds me of the previous year: 'Jane crocheted you an entire poncho, and all you gave her was a bone-shaped beach stone.
Did it do me any good, early in life, to believe so many things which were not true? Or did it damage me? Pouring a foundation of disappointment, of uncertainty.
I look at the cake in my mother's arms and think: here stands the only person in the whole world who'd go to such trouble for fractious, ungrateful me.
No matter how far I try to travel from people, people always appear. Either they follow me, or they're already there, and I followed them, unwittingly.
But no, now I see I never meant to Ben what Ben meant to me. If there was anything I said which resonated in return, he found a better speech elsewhere. My romance went no further than his coat.
I see foxes often, but always they are crossing fallow fields in the distance. Gold flecks on faraway expanses of green. Magnetic to the meandering eye. Enigmatic, unreachable.
Blending into the tinctures and textures of the countryside. The tree which falls without any human hearing still falls, as the creatures who die without being found by a human still die.