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She said writting novels was like childbirth: if you truly remembered how awful it got, you'd never do it again.
Wes wants to be with Macy. And Macy, whether she'll admit it or not, wants to be with Wes. And yet they're not together, which is not only unjust, but when you think about it, tragical!
We were willing to do so much for the people we loved, even if it meant hurting ourselves. Maybe that, in the end, was what love- all kinds- was really about.
So many versions of just one memory, and yet none of them were right or wrong. Instead, they were all pieces. Only when fitted together, edge to edge, could they even begin to tell the whole story.
I thought again how you could never really know what you were seeing with just a glance, in motion, passing by. Good or bad, right or wrong. There was always so much more.
It was always late at night, when everything and everyone else was quiet, that those voices would rise like ghosts, soft and haunting, filling your mind until sleep finally came.
I understood now. This voice, the one that had been trying to get my attention all this time, calling out to me, begging me to hear it - it wasn't Will's. It was mine.
"I just don't know," I said, my voice sounding bumby, not like mine, "how do you help someone who doesn't want your help. What do you do when you can't do anything?"
Instead, we just sat there, together but really apart, watching a show about a stranger and all her secrets, while keeping our own to ourselves, as always.
Looking back, it seemed like it should have been harder to lose someone, or have them lose you, especially when they were in the same state, only a few towns over.
When you have a kid, you sign on for the whole package: good, bad, everything in between. you can't just dip in and out, picking and choosing the parts you want and quitting when it's not perfect.
I'm starting to think, though, that some things never get that. The replay, and all. So at some point you have to make peace with it as it is, not keep waiting for a chance to change it
"What was the name of Pygmalion's sister?" She blinked, twice, obviously surprised. "Ummm," she said, keeping her eyes on me. "I don't know." Rogerson did," I told her. "Rogerson knew everything."
That's not a real answer.' Says who?' Says me. I mean real fear, like of failure, of death, of regret. Like that. Something that keeps you awake nights, questioning your very existence.' Clowns.
An empty frame, in which the picture is always changing, makes a statement about how time is always passing. It doesn't really stop, even in a single image. I t just feels that way.
In those first few hours officially single again the world seems like it expands, suddenly bigger and more vast now that you have to get through it alone.