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I always believed that whatever had to be written would somehow get itself written.
Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
Poetry cannot afford to lose its fundamentally self-delighting inventiveness, its joy in being a process of language as well as a representation of things in the world.
So hope for a great sea-change on the far side of revenge. Believe that further shore is reachable from here. Believe in miracles and cures and healing wells.
Nowadays, what an award gives is a sense of solidarity with the poetry guild, as it were: sustenance coming from the assent of your peers on the judging panel.
The most exhilarating for the writer and the reader, are gift-things-poems which arrive on their own energy, poems that in William Shakespeare's term "slip" from you.
Best to say that once a poem is finished I trust it to make its way, and I trust readers will find their way to it and through it, if the thing has got itself rightly expressed.
Anything Can Happen, on the other hand, is not only about the atrociousness of the September 11 attack, it is also a premonition of the deadly retaliation that was bound to come.
I am not a playwright. A playwright would take "Antigone" and hit it a few clouts and knock it out of shape and restructure it. My versioning was strictly verbal.
Allow ourselves to do as Ram Dass said in his delicious phrase "Be Here Now." If you are here now you cannot fall into falsely constructed gender projections.
Part of my gradual education of myself has been to think that there is a deep relationship between the nature of the creature and the worth of the art.
Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
History says, Don’t hopeOn this side of the grave, But then, once in a lifetimeThe longed-for tidal waveOf justice can rise up, And hope and history rhyme
He sits, strong and blunt as a Celtic cross, Clearly used to silence and an armchair: Tonight the wife and children will be quiet At slammed door and smoker's cough in the hall.
And a young prince must be prudent like that, giving freely while his father livesso that afterwards, in age when fighting startssteadfast companions will stand by himand hold the line.