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I have enough rhythm to blend at this point. I have enough rhythm to blend one song into another. But man, I have such respect for the art of deejaying. I hesitate to even call myself a deejay.
Ain't nobody making music to not be heard and the easiest way to be heard is to be on the radio, but you should never compromise who you are, your values or your morals.
Harry Belafonte hit me to the Dream Defenders and I liked what they were about. When I asked them how I could help their movement, they said, "You can help by coming down here; you can tweet."
My fans like to be romantic. I feel like I'm creating at least at the same level or even a higher level of creativity than I was at twenty-one. I've gotten better as an artist.
When you have a voice and a platform and you know better, it becomes your moral obligation to support that community. And by extension, you're supporting your family.
The founder of Crunk Feminists is a Christian. If you claim to be a Christian, but then you attack somebody for saying you should approach a problem with love, you're not being a true Christian.
My parents are my biggest influences. My parents and my city. Brooklyn, New York, New York City, the community I grew up. I don't feel like I'm special in that. I feel like that's everybody.
What is Norah Jones' style? Is it just the albums that we've heard? She has a rock group where she plays guitar in, downtown in New York, so do we really know her style?
I don’t think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop’s ultimate responsibility is to critique social structures.
Hip hop is at its essence a folk music, because it speaks the language that people are still speaking at ground zero, it speaks the language that people speak on the streets.
You see somebody rapping and you're like, "Nah, my cousin can do that." You're spoiled by the experience. Overseas, it's still something that people can appreciate.