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Trust your gut. You know yourself, so don't let somebody else tell you who you are.
I've learned a lot about the limits of what I can do, as an artist, or what I'm willing to do. It's a lot of responsibility to carry a show and to speak to people on different levels.
As an actor, you're listening to the other person and always trying to be present and take everything they're giving you, but when they're not there you have to produce that yourself.
I've worked on shows where the lead actor doesn't know their lines, doesn't care, and it affects everybody - the crew, the director, the other actors. It's definitely a responsibility.
Going back is a nice way to give definition to each of the characters because they are so vastly different. I would never want them to get blended together.
It's the reason we go to films and watch television: to escape the mundane nature of life and see another world and see ourselves in that other world. I think that's what sci-fi does so well.
We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
I'm incredibly close to my family. I have two younger brothers; they're both artists and actors, and their work and the way they see the world inspires me.
For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.
I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
I have trouble sleeping, at the end of the night. There's a lot of stimulus and my brain is processing a lot of different arcs and personalities. I'm always processing things, so I don't sleep.
Dance has always been a really important thing for me, so being able to physically express the characters through music and dance is like another layer to things.
I would love to work with Gena Rowlands. I just don't know in what capacity. I'd play her daughter or granddaughter, or whatever. I would just love to work with her, in whatever capacity.
I find comedy to be really scary, because it can go so wrong so easily, and the margin for error is so huge - and I guess that's what makes it funny, that tension.