Ted Alexandro Quotes

I often think about my future wife and how lax she's been about getting in touch with me.

I'm keeping in shape, you know, gotta look good for the ladies - and certain guys. Hey, I can't control who's looking. I just gotta bring the heat.

You'll get them tomorrow. You gave it a good shot. Keep your chin up.

The more you perform, the more adept you get at the nuances of navigating that communal conversation.

I belong to a gym now... well, let me rephrase that: I don't belong there at all, but I go.

The blues is a hopeful music. It helps you process something rather than avoid it. It's like mourning, in essence.

Not that that's the goal, but sometimes these funny insights can also be deeply profound.

I don't think comics necessarily think in literary terms. There is an element of developing your stage persona and your comedic voice, but I don't think comics see it like a character in a novel.

Comedians are thinkers. The best ones are akin to philosophers, in my opinion.

If you're funny, you can find a stage to get on. If you're good, you'll start to get work and eventually get paid.

I don't do the mirror thing; maybe once or twice when I first started out.

A crowd is the only way to know if something works. Telling a friend or two doesn't matter. A crowd is what tells you what works or doesn't, so I'd rather go in front of them cold and see.

After twenty plus years of performing hundreds of shows a year, I prefer to try things out on stage rather than for friends. I don't see the benefit in that, really.

Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.

Certainly, you want to be liked, but as you gain confidence and experience you're more concerned with expressing yourself and what matters to you.

I don't really worry about a crowd liking me.

Sometimes crowds start out not liking someone but then they shift and love them. Or vice versa. It can shift on a dime.

A person riding a unicycle on a tightrope doesn't worry about being likeable; they're doing something amazing that very few people can do.

Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.

Comedy clubs are arguably one of the last bastions of uncensored, public free speech.

Comics definitely embody the importance of practicing free speech.

Comedians can articulate some important and profound ideas that address a lot of the hypocrisy we're inundated with (in the media).

Laughing at something is a form of accepting it or at list making peace with it.

Your stage persona is usually a version of yourself, to varying degrees. Some folks do a full-on character, so that's different. But most comics do some version of themselves.

That heightened dynamic can produce interesting, funny ideas that are phrased in ways that surprise even you, as the performer.

I think there comes a time in any comedian's career where they can either coast or keep growing and evolving.

Comedy takes all of life and puts it through a lens of acceptance, just by the mere act of talking about it on stage in a communal setting. It's very primal and ritualistic in that sense.

Inherent in mourning is celebration. Mourning without celebration or some form of acceptance leaves you stuck.

Comedians act every night on stage, so they have great performing chops. They especially know how to play themselves, which is how we set 'Teachers Lounge' up.

It always comes down to what the crowd buys coming out of your mouth, which differs from one comic to the next.

Hard work is a muscle that you develop, as is taking risks.

In terms of my own work ethic, I've always been a determined person. When I'm focused on something, I try to see it through.

Opening for Louis C.K. during his "Hilarious" tour was a great experience for me. He is the generation just ahead of me, because he started so young.

Like once we picked Jim Norton as the head of security, the writing flows pretty easily.

I think the more you hone your voice, take risks and talk about things that matter, the better chance you have of getting into the realm of the philosophers of stand up. But you have to be funny.

I also do a certain amount of talking through material on stage, to see what happens and allow interesting ideas to manifest.

I'll sit down for an hour or two a few days a week in a quiet place and brainstorm. The earlier in the day, the better, before the parade of distractions starts.

I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.

'Teachers Lounge' is a web series I co-created with Hollis James. We intentionally left the apostrophe out to turn 'Lounge' into a verb. The show is about teachers lounging around, wasting time.

With a project like 'Teachers Lounge,' you're wearing a lot of hats, so it demands hard work and focus if you want to do it right.

It's a constant process of bouncing ideas off of one another and intuitively arriving at the right decision in the moment.

Comics can definitely be subversive on the whole, but it's a stylistic thing.

I don't know that I have a single comedy philosophy. But talking about things that matter to you is a good place to start. Listening is a big part of it, too.

People don't come to a comedy club simply to hear someone's thoughts, no matter how profound.