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I believe in extraterrestrials, but I believe that real extraterrestrials are so peculiar that the job is to recognize them.
The reason I am so passionately committed to the psychedelic thing is because I see it as radical, and if this is not the moment for radical solutions, what is?
In 1948, television was introduced, and millions and millions of people lead larval, low-awareness, warehoused lives mainlining an electronic drug straight into their brains.
As I see it, Being, the Cosmos, whatever you want to call it, is a struggle between two implacable forces: Novelty on the one side and habit on the other side.
Inside the boundaries of the old paradigm there's no hope, there's no way out of the box of capitalism, monogamy, consumer fetishism, egoism, money worship, no way out. No way. No way out!
We have to claim anarchy and realize that systems have a life of their own that is anti-humanist. There is definitely an anti-humanist tendency in all systems.
The world could be anything, you know, It could be a solid state matrix of some sort. It could be an illusion. It could be a dream. I mean it really could be a dream.
We are alienated, so alienated that the self must disguise itself as an extraterrestrial in order not to alarm us with the truly bizarre dimensions that it encompasses.
We have wandered into a state of prolonged neurosis because of the absence of a direct pipeline to the unconscious and we have then fallen victim to priestcraft of every conceivable sort.
The psychedelic issue is a civil rights and civil liberties issue. It is an issue concerned with the most basic of human freedoms: religious practice and the privacy of the individual mind.
Culture is more and more consciously becoming a project carried out in the domain of language by, for instance, propaganda both governmental and commercial.
I think the world is growing more psychedelic every day. I'm completely hopeful. . . . This is how it should be. This is what it's like when a species prepares to depart for hyperspace.
The shaman is the figure at the beginning of human history that unites the doctor, the scientist and the artist into a single notion of care-giving and creativity.