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Chess is like body-building. If you train every day, you stay in top shape. It is the same with your brain - chess is a matter of daily training.
I am convinced, the way one plays chess always reflects the player's personality. If something defines his character, then it will also define his way of playing.
Playing rapid chess, one can lose the habit of concentrating for several hours in serious chess. That is why, if a player has big aims, he should limit his rapidplay in favour of serious chess.
In chess one cannot control everything. Sometimes a game takes an unexpected turn, in which beauty begins to emerge. Both players are always instrumental in this.
But with the Berlin, I was able to allow him to get near, but not quite near enough, and I knew where to draw the line with the fortresses I had set up.
My very first book was a games collection of Anatoly Karpov. On the whole I was attracted by positonal play with some tactics, and already then I was aiming for universality.
In the current FIDE World Championship, on the knock-out system, weaker players have good chances. Those, who in a long match would practically have no chance, here may creep through.
I believe every chess player senses beauty, when he succeeds in creating situations, which contradict the expectations and the rules, and he succeeds in mastering this situation.
When I speak of the beauty of a game of chess, then naturally this is subjective. Beauty can be found in a very technical, mathematical game for example. That is the beauty of clarity.
I don't like to show my emotions at the board, not because they might give something away to an opponent, but because that's my style: I like to keep it to myself.
In this respect, I suppose I'm the total opposite of Garry [Kasparov]. With his very emotive body language at the [chess]board he shows and displays all his emotions. I don't.
It made a big difference to my match stamina. I couldn't imagine I would have been so energetic during the match - it really gave me a welcomed extra boost!
Okay, when you start to fight for equality, like Anand did in 1995, you could end up losing game 10, like he did, without putting up any kind of fight.
I made a better decision in choosing my team. Sure, I had a bigger choice of players to choose from - but I couldn't have asked for a harder working group of players who did an incredible job.
In games against humans, you often win because the opponent blunders a piece, and you can often survive when you do it yourself. Against the computer, you make only one mistake - the last one.
In this respect I suppose I'm the total opposite of Garry. With his very emotive body language at the board he shows and displays all his emotions. I don't.