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In the Renaissance there wasn't a distinction. Bernini was an artist and he made architecture, and Michelangelo also did some great architecture.
You can't ignore history; you can't escape it even if you want to. You might as well know where you come from, and you might as well know that everything has been done in some shape or form.
I grew up with no money. No money. I always struggled and had the sense that there was this other class of people who went to college - this was when I was younger.
If I'd been born in my grandfather's time, I'd have made my grandfather's mistakes. Theres no doubt of it. I just don't want to make my grandfather's mistakes today.
Memory never recaptures reality. Memory reconstructs. All reconstructions change the original, becoming external frames of reference that inevitably fall short.
Unfortunately most criticism is by poseurs. They use their comments about someone else's work as a platform on which to strike poses. What they're really saying is: "Look at me! Look at me!"
When I closed in "King Lear" I went into a period of depression for about three weeks, and every actor I've talked to who's ever played a major, major Shakespeare role has done this.
Money shows [man] new ways to cheat life. Power becomes exterior instead of interior. In these circumstances architecture becomes too difficult, building too easy.
We should have a system of economics that is structure that is organic tools. We do not have it. We are all hanging by our eyebrows from skyhooks economically, just as we are architecturally.
By the way, for those who are listening, I absolutely define - I have a face for radio. Unfortunately, I've got a voice for print. So I apologize for the sandpaper you're listening to.