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I just want to do good work. That's all I want to do. I don't have big aspirations like being the President of the United States, I just want to do good work. That's all.
Our job as directors is to entertain an audience, it's not just to do it for the director. You might as well sit in a white room and look at the movie for the rest of your life - it's ridiculous.
I'd like to read a book sometime. I've never read a book before. That'd be an adventure. I understand they have pages and everything. Yeah, I've got to do that sometime.
I don't like to have these words banded about, like "British sense of humor," "American sense of humor," though I'll be damned if I know what they are.
I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.
People enjoy media and games in different ways - some people enjoy something that they can take seriously and invest themselves in. That's something we're comfortable with.
Movies are to our civilization what dreams and ideals are to individual lives: They express the mystery and help define the nature of who we are and what we are becoming.
At the heart of the matter of masculine excess is a great longing for the love and approval of a father, a man who can tell another man that his masculinity is splendid enough and he can now relax.
Girls have all the same parts, basically, and so much of how they look depends on the attitude, expectations, and obsessions of those who are looking at them.
Scientists have reaped rich rewards, they have sat high in government councils and have been blinded by the attractiveness of public life-all this because they happen to have been good killers.
Many people are alienated by faceless bureaucracy and what they see as an erosion of participatory democracy. Consequently, there has been a revival of interest in charitable service.
The truth is that a lot of plays aren't political at all. In American theater history, political theater has tended to crop up when there's a crisis, a national crisis.
Yul Brynner's performance in "The King and I," . . . can no longer be regarded as a feat of acting or even endurance. After 30-odd . . . Mr Brynner is, quite simply, The King.
There's absolutely no way you can go barreling into second and dump a guy on a double play, like you should do, when you've been fraternizing with him before a game.